Chen Zifeng’s works are between reality and the surreal, the picture is the result appears in the real world and the imaginary world of convergence of the New World, this world with a strong subjective temperament, he likes to use a bit cold even with mechanization The portrayal of the screen, try to avoid the melodramatic style of written freehand, only focus on streamlining the characterization. Screen space is accurately calculated, through concrete objects paranoia and meticulous reproduction of the physical properties, the ineffable imagination projected onto a concrete, tangible, touchable space environment, each carefully created a visual space It is the real world of container, simmering with people’s desires. Elements from reality in the subconscious is woven into the picture structure go. The picture presented works designed to pursue a truth and specificity, yet highlights a “virtual sex” in the relationship between real and concrete, as in reality, like virtual, as a symbol.
Man’s inner world is another mysterious boundary, another time it wider than the existing space, more beautiful, it transcends everything, it is very powerful and very fragile. As a popular ancient Chinese cultural influence and exposure to contemporary culture, work inherent implication is certainly Oriental, critical work is based on some incomplete aspects of modern society. For example: economic development, social development, a tense relationship between the whole community to bring (such as “landscape” painting excavator is locked up, so have a sense of security) between an Eastern and Western civilizations species coexist, conflict or contradiction, human materialistic, human network developed eccentric sense of disorientation, emptiness and boredom.