He Guiyan, born in Shehong of Sichuan Province in 1976. He has published more than 60 papers on domestic learned periodicals, such as Arts Criticism, Literature & Art Studies, Art Research and Art China. He has also published 12 personal writings and books.
He Guiyan, born in Shehong of Sichuan Province in 1976. Graduated from Department of the Art History, Sichuan Fine Arts Institute in 2003 as a Master. Graduated from School of the Humanities, China Central Academy of Fine Arts in 2009 as a Doctor. Critic, Curator. Teaching in Department of the Art History in Sichuan Fine Arts Institute in current as Professor. Deputy Director of Department of the Art History in Sichuan Fine Arts Institute. Director of the Contemporary School of Arts in Sichuan Fine Arts Institute. Academic Member of the China Annual Art Critics Assembly. Member of the China Sculpture Institute. Member of the Curators Committee in China Artists Association. Member of the China Urban Sculpture Committee.
He has published more than 60 papers (above 400 thousand words) on domestic learned periodicals, such as Arts Criticism, Literature & Art Studies, Art Research and Art China. Has published 12 personal writings and books from 2008, such as Move Towards the Post-Abstraction (Hebei Fine Arts Publishing House, 2008). The End of Formalist Criticism(Culture and Art Publishing House, 2009). The Constructed Dimension–Contemporary Artists Individual Cases (Subeditor, China Youth Publishing Group, 2010). Start From The Horizon–Chinese Contemporary Sculpture Since 1978 (Hebei Fine Arts Publishing House, 2011). Advance-Guard’s Decline (Shanghai People’s Fine Arts Publishing House, 2015).
2016 Entry, 1st Donghu Park Public Sculpture Invitation Exhibition, Donghu Park, Chengdu
To +, Contemporary Art Invitation Exhibition, Chengdu International Culture Art Center, Chengdu.
Anti-Abstraction: A New Method Established by Description, Process and Body”Xi’an Art Museum, Xi’an.
2015 Tenth Anniversary Retrospective Exhibition of Luo Zhongli Scholarship，CAFA Art Museum, Beijing.
Hetero-Entity: Myth, Narrative, Imagination－Contemporary Art Exhibition，eMoCA, Shenzhen.
Utopia of Form–Form Expression and Cultural Values in Chinese Contemporary Art，Triumph Art Space, Beijing.
2014 Social Landscape, Chengdu International Culture Art Center, Chengdu.
By The Name Of Dailiness–Daily Discourse and Conception Generate in Chinese Contemporary Art, Blue RoofMuseum of Chengdu, Chengdu.
Lesser Logic – Linguistic Encoding and Discursive Expression in Contemporary Art, Parkview Green Art, Beijing.
2014 1st China Printmaking Exhibition, National Scratchboard Museum of China, Shenzhen.
2013 Direction of Contemporary Sculpture－2013 2nd Datong International Sculpture Biennial, (Subitem Curator), Yang Art Museum, Datong.
Aa A Landscape of “Social Landscape” －Lv Shanchuan Solo Exhibition，White Box Art Museum, Beijing.
2012 Recoding－Theme Exhibition of Chinese Contemporary Art，China Millennium Monument, Beijing
Diversion of Contemporary Art Value Paradigm，Blue Roof Museum of Chengdu, Chengdu.
Jiao Xingtao Solo Exhibition, White Box Art Museum, Beijing.
2011 Start From The Horizon－Chinese Contemporary Sculpture Since 1978, Sishang Art Museum, Beijign.
Traces of Nature and History － Huang Gang Solo Exhibition, Shanghai Art Museum, Shanghai.
2010 The Constructed Dimension － Contemporary Art Invitation Exhibition, The National Art Museum of China, Beijing.
The Youth of The Upper Floor – 2010 Youth Critics Nomination Exhibition, Times Museum, Beijing.
2009 Squander the Late Night－Liu Xintao Solo Exhibition, Wall Art Museum, Beijing.
Every Stepvaried View－Li Changlong Solo Exhibition, Wall Art Museum, Beijing.
2008 People History－Exhibition of Studies of Chinese Art of the 20th Century, CAFA Art Museum, Beijing.
Towards the Post-abstract, PIFO Gallery, Beijing.
2007 From 1976 To 2006, From Rural Modernity to Urban Utopia-Sichuan School of Painting Academical Retrospective Exhibition, Zhongwai BoyiGallery, Beijing.