Artworks by ASPENCROW

Reflated Moons by ASPENCROW

Moon Diameter: 30cm each
Material: PU Resin, Sand
Edition: each work unique as the artist shapes each moon by hand
2025

Deflated Moons by ASPENCROW

Individual Moon: 10cm / 30cm / 50cm diameter
Edition: each work unique as the artist shapes each moon by hand
2025

Deflated Moons by ASPENCROW

176cm height
Moon diameter: 30cm
Material: PU Resin, Sand
Edition: each work unique as the artist shapes each moon by hand
2025

Little Soldier by ASPENCROW

61cm
Mixed media
Edition of 17
2023

Defender by ASPENCROW

63cm
Mixed media
Editio of 17
2023

Austronaut by ASPENCROW

60cm
Mixed media
Edition of 7
2025

Lab Mouse Off-White by ASPENCROW

40cm
PU Resin, 2k Paint
Edition of 17
2025

Over the years, the artist has developed certain inner limits and creative boundaries. Within this framework, the glove puppet becomes an expression of the subconscious being set free. This gesture is connected to a personal memory – his time in school, performing in a puppet theater, when he first discovered creative freedom. Through this figure, the artist broadens the horizons of his creativity, exploring themes of solitude, isolation, curiosity, and self-reflection.

Lab Mouse Coloured by ASPENCROW

40cm
PU Resin 2k Paint
Edition of 17
2025

Over the years, the artist has developed certain inner limits and creative boundaries. Within this framework, the glove puppet becomes an expression of the subconscious being set free. This gesture is connected to a personal memory – his time in school, performing in a puppet theater, when he first discovered creative freedom. Through this figure, the artist broadens the horizons of his creativity, exploring themes of solitude, isolation, curiosity, and self-reflection.

Mini Mizaru by ASPENCROW

36cm
Resin, Paint, Fur
Edition of 3
2021

This work is a scaled reproduction of “Mizaru”, the artist’s inaugural sculpture created during their first year of study in England. This sculpture draws upon the iconic symbolism of the three wise monkeys, embodying the deliberate refusal to see, hear, or speak evil. It opens a dialogue about what it means to preserve cultural traditions in a globalized world, challenging viewers to consider how we can honor the past while thoughtfully embracing future without causing it harm.

Naive by ASPENCROW

47cm
PU Resin, Flock
Edition of 71
2022

A self-portrait of the artist at the age of eight, this sculpture poses unsettling questions: will the human become a resource for technology? Are we users, or merely objects being used? Will virtuality serve as a refuge – or an erasure? The work invites the viewer to consider whether our deepening immersion in simulation is a step toward liberation or an act of surrender. Notably, the artist dedicated their bachelor’s thesis to reflections on Simulacra and Simulation (Simulacres et Simulation) by French philosopher Jean Baudrillard, published in 1981.

Censored by ASPENCROW

21cm
Resin, Life Cast of the artist’s hand
Edition of 71
2020

In Case of Injustice by ASPENCROW

36 x 26 x 11cm
Glass, Plywood premium, automotive paint, garment
Edition of 17
2kg
2021

One of the meanings of this work is a restrained object where the sterile whiteness of the bottle symbolizes an illusion of neutrality and suppressed protest. Encased in a red frame – the color of anger – it becomes a sign of mounting tension and inevitable conflict. The artist explores the boundary between passivity and active resistance, inviting the viewer to reflect on the cost of silence.

Sweet Head Green by ASPENCROW

19 x 9 x 7cm
PU Resin
220g
Edition of 17
2022

This smaller version of the 2015 “US Candy” where artist highlights the gap between the polished democratic rhetoric and the harsh realities that follow military campaigns.

Sweet Head Black by ASPENCROW

19 x 9 x 7cm
PU Resin
220g
Edition of 17
2022

This smaller version of the 2015 “US Candy” where artist highlights the gap between the polished democratic rhetoric and the harsh realities that follow military campaigns.

Sweet Head Pink by ASPENCROW

19 x 9 x 7cm
Pu Resin
Handmade by artist
Edition of 17
2023

Aspencrow – Nickel Mouse Blue by ASPENCROW

38cm high
Pu Resin, flock, Handmade
Edition of 17
2022

Porsche 911 by ASPENCROW

Length 50cm
Handmade Sculpture – PU Resin, Flock
Edition of 7
2021

Mini Riri by ASPENCROW

50 x 29 x 31cm
Acrylic resin, silicone, acrylic paint

Feed Me by ASPENCROW

37 x 14 x 10cm
Resin, acrylic paint

Begging Queen by ASPENCROW

100 x 90 x 70cm
Silicone, foam, garment

Andy walking, Andy tired, Andy take a little snooze by ASPENCROW

160 x 70 x 60cm
Metal construction, foam, silicone, garment

US Candy by ASPENCROW

46 x 67 x 30cm
Resin, chrome, automotive paint

Polar Kid – Pink by ASPENCROW

30 x 21 x 19cm
Pu Resin, Polished & Flocked

Polar Kid – Black & White by ASPENCROW

30 x 21 x 19cm
Pu Resin, polished and flocked

Polar Kid – Military by ASPENCROW

30 x 21 x 19cm
Pu Resin, polished and flocked

Polar Kid – Light Green by ASPENCROW

30 x 21 x 19cm
Pu Resin, Polished and Flocked

Polar Kid – Light Brown by ASPENCROW

30 x 20 x 19cm
PU Resin, Polished and Flocked
Limited Edition

Polar Kid – White by ASPENCROW

30 x 20 x 19cm
PU Resin, Polished and Flocked
Limited Edition

Polar Kid – Original no.1 by ASPENCROW

30 x 20 x 19cm
PU Resin, Polished and Flocked
Limited Edition: 17

ASPENCROW

Edgar Askelovic

The artist l born in Lithuania in 1987, whose childhood and adolescence happened during the infamous 90s and adulthood happened during the global financial crisis taking its depressive toll on the further formation of his personality and perception of the world. The influence of Western capitalist pop culture on the post-Soviet territories of that time brought up an internal conflict of incoming information and acceptance of reality, which affected the future creativity of the artist.

He is well known for his hyperrealistic controversial sculptures like Begging Queen, ICON, MILF, Diamond Dog, among others.  His subject matters is an interpretation of well-known public figures in unusual and sometimes shocking way.

In 2013, Edgar received his BA in Fine Art from the Birmingham City University, School of Art in the United Kingdom after leaving the Vilnius Academy of Arts in Lithuania, where he became engrossed in kinetic, installation and contemporary art. The move to England was a pivotal point in both his personal and artistic education as he remarks that once in Birmingham he gained “freedom in thinking and action as an artist”.  During this period, Edgar Askelovic started using a pseudonym.

Throughout the art career, he created sculptures such as “US Candy”, “Polar Kid”, “Cheese” and others. The artist creates his art pieces in a commercial industrial pop style with his hallmark gloomy dark touch. Each sale of some artistic work will also contribute support to the charitable organisations.

The artist creates each piece from conception to final product, and therefore displays strong technical skills in the manipulation of a variety of materials and scales.

“The main tools to create sculptures are my eyes, which allow me to embrace the information and communicate it in my artworks,” says the artist.

After a decade studying and working in UK, USA and Germany, the artist came back to his mother town Vilnius, Lithuania, where he works in his studio as a professional artist.